Pt. In Indian culture, the guru shishya parampara (aka teacher student tradition) used to be strong. I, instantly without thinking too much ( for it is not a wise move to put a finger to your chin and think when you are asked a question by a student) answered,” Well, I used to find it difficult to do what she said but I wanted to be the best so I tried with all my might to sit in aramandi”! The dance is performed under the Guru Shishya Parampara. Generally, hand gestures convey some meaning, purport or significance; but such gestures are also executed with Adavus only for embellishment, aesthetic beauty and ornamentation. Krishna Kavita June 18, 2020. The training of regular syllabus of Bharatanatyam starts with Alarippu, moves to Jathiswaram, Shabdam, Varnam, Keertanam, Padam, Javali and concludes with Tillana. Because, once the Guru has categorically stated that He was not a Guru in that mould – one who initiated shishyas formally, had a doctrine to teach, and appointed one or several successors to carry on the ‘parampara’ (Guru-tradition established by Him), no shishya may “teach” the teachings. As long as the Guru imbibes a strong desire to guide their disciples to heights beyond their own reach, and wherever the disciples have the readiness to submit themselves, the Guru-shishya parampara remains alive. Naming and shaming your Guru who has made advances at you would lead to your own people shaming you back, let alone not believing a word of what you are saying. We had the liberty to choose our costumes.Before and after each lesson the jamakaalam ( carpet on which the guru would sit to teach) had to be laid and the thattu kazhi( the wooden plank and stick used to aid in keeping the steps in tempo ) and attendance register should be kept on it. Guru means teacher, shishya means student and parampara means tradition. Where THIS is the emotion one held for the person who gave their wisdom to another, while honing what already existed. Training of Adavus combines with the training in movements of feet, head, neck, eyes and hand gestures along with other major and minor parts of the body also, to display various emotions, feelings and specific effects. A dancer should have good health and personality and if the training is started too early, her or his growth may be inhibited that would effect his or her physical appearance. When there was a need to pass on any spiritual, powerful or profound knowledge – it was done in a safe, trusting and intimate manner between the Guru (the master teacher) and shishya (disciple). The Guru-Shishya parampara has been an inevitable part of education in ancient Indian culture. Questions were not too many as a lot of it was self explanatory owing to common helpful resources like music class or period-serials like Mahabharatha. Guru-shishya parampara (tradition) has been the strong backbone of all our Indian education disciplines; especially in Indian classical art forms- music, dance, fine art, etc. The centre today ranks as a premier institute where training in the Indian classical dance - Bharatanatyam - is imparted in the true tenets of the “Guru - Shishya Parampara”. Artist : Ms. Yamini Krishnamurthy and disciples: Type: Video Home System ( … So back in the olden days, to learn things ranging from math and science, to dance and singing, little children would be sent to the house of their guru, and they would actually live with them for many years, growing up and being schooled by their Guru. The Namskar is performed by the disciple while standing in Samapada (both the feet join together) hands in Shikhara Hasta, thumb facing upwards placed in front of the chest, stamps both the feet alternately – right and left, sits down on toes in ‘Muzhumandi’ posture, touches the floor (obeisance to mother earth) and Guru’s feet, moves hands upwards in a circular motion, joins both the hands in Anjali Hasta above the head and bring them down in front of the chest. Indian Classical Dance, Dance, Bharatanatyam, Mridangam, Flute, Manjira, Kanjira, Violin, Guru Shishya Parampara: Description: The video recording contains Bharatanatyam recital by Ms. Yamini Krishnamurty. In the Upanishads, gur… Guru-Shishya Parampara Guru Shishya parampara is the ancient Indian system of mentor/teacher and disciple/student lineage in India. After demolition of the ancient institutions like Nalanda and Takshashila, in India, Gharanas were the only source of training in music and dance. Every year there would be programmes for Vijayadasmi, Janmashtami, Deepavali, Vinayaga Chaturthi and Ayyappan Mandala Pooja. The main elements of music education are – teachers to impart knowledge, talented students to adopt the knowledge, syllabus to be taught to the students, methods of music teaching and examination system for the assessment of the students’ progress. The Guru starts the first footwork – ‘Tatta Adavu’, in which the body assumes Araimandi posture and sole of the two feet struck the paddy alternately. Guru’s personality develops in the disciple and reflects the sign of Guru, which distinguishes him or her from the disciples of other Gurus. After proper training and practice of basics, the disciple’s body and mind becomes mature enough to learn the regular repertoire of Bharatanatyam. The parents take the child to Guru and offer him coconut, betel leaves, betel nuts, fruits, sweets and flower garland. This tradition was prevalent in northern as well as southern India also. ( Log Out /  Guru-Shishya parampara (the tradition) August 4, 2016 August 4, 2016 sarvamnritham Leave a comment. To do so violates the Guru’s implied wishes in this regard. Change ), After demolition of the ancient institutions like. It thrived and flourished for centuries. “The way the guru-shishya system is designed, it has an unequal power structure. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Bharatanatyam dancer Rukmini Vijayakumar explains India’s ancient system of passing knowledge from guru to shishya, and shares why this tradition must be maintained even now. Institutional System. This video is unavailable. V.N. According to Carnatic classical vocalist TM Krishna, there are some beautiful aspects of the guru-shishya parampara, although he cautions against “eulogising” it. A Bharatanatyam hosszú kitartó és intenzív tanulást kíván, míg a táncos eljut az alapoktól a kifinomult mozdulatokig és elsajátítja az első teljes repertoárt. We were not the Guru-shishya (teacher-student) who socialised with great pioneers of dance at dance recitals or workshops, but we were more involved in practicing dance within the walls of our school whether rain or shine. The repertoire of Bharatanatyam is designed in such a manner that it gradually enables a disciple to adapt the intricacies of the dance. Punctuality was a word that was worth keeping in mind during my student days be it for rehearsals or make up sessions before a performance. Education. At a tender age of seven years, on a very auspicious day a disciple is initiated into the training of Bharatanatyam. It is a respect to the Guru for accepting him or her as a disciple. Guru-Shishya PARAMPARA Arathi School of Dance's form of Bharatanatyam is strongly rooted. 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